Every November,film
fans,passionate Francophiles,and lovers of le cinéma français ,
make a rendez-vous with the UK ’s leading
showcase for French cinema.
Now in its 13th year,the French Film Festival
UK can lay claim to an impressive past list of
tributes,retrospectives,guests and pioneering
initiatives which have helped to uncover the
sheer wealth of French cinema which normally
would not make it to these shores as part of
the year ’s releases.
The 2004 edition,under the patronage in person
of Sylvain Chomet who made the animated hit,
Les Triplettes de Belleville ,again pushes forward
the boundaries to offer a wide selection of films
that are entertaining,challenging,stimulating,
and truly memorable. There ’s something to suit
all tastes,predilections,and ages at affordable
prices including ticket deals and special passes
to give even better value and access.
On the menu as a dish of the day is a tribute to
Alain Delon,an undisputed icon of international
cinema over the decades whose handsome
exterior belied dangerous undercurrents in his
work with such directors as Joseph Losey,
Luchino Visconti,Jean-Pierre Melville, Jacques
Deray,Henri Verneuil and Betrand Blier among
others. Recent re-releases of such films as Le
cercle rouge,Plein soleil and The Leopard have
brought him back to prominence.
Our five-film
tribute comprises rare titles that have not been
seen for a long time.
The Panorama section of films that have
established directors attached,ranges over
such directors as Benoît Jacquot,Tony Gatlif,
Dominique Cabrera,François Dupeyron,
Jean-Pierre Améris and Francis Veber.
Topics covered include a buddy romp with
Gérard Depardieu and Jean Reno; illegal
immigration; the insanity of war; a music-fuelled
journey of discovery; and a contemporary take
on free-wheeling relationships.
In New Waves devoted to first,second and third
time directors you will find choral magic in
Les choristes which gave debut director
Christophe Barratier the year ’s surprise box
office hit and an Oscar contender.
There ’s also the astonishing baptism of Eléonore
Faucher with Brodeuses ; Gael Morel displaying
maturity of purpose in The Clan ,a tale of three
brothers; the exuberance of L ’Esquive ; nostalgia
for Janis Joplin and John Lennon; ambition on
the make in the work place in Work Hard,Play
Hard plus the family delights of Malabar Princes
and the charming cartoon fable Raining Cats
and Frogs.
For the first time this year the French Film
Festival UK broadens its horizons to offer a
special focus on the resurgence of Québec
cinema in the wake of Denys Arcand ’s Le
invasions barbares . The quartet of titles comprise
a dark crime thriller; an effervescent romantic
comedy with shades of Whisky Galore ; adolescent
trials and tribulations; and an ensemble road
movie. In future editions the FFF will look at
other French-language cinemas around
the globe.
To mark the month of the documentary in
France,and the continuing revival of interest in
real cinema,three examples have been selected:
an amazing foray into the mysteries of the
universe from the makers of Microcosmos; a
Gallic take on George Bush,and a highly amusing
look at the incestuous world of the critic.
An array of guests will
be in attendance to support their films and talk with audiences
while France ’s cultural centres at the Alliance
française de Glasgow and Manchester and the
Institut Français d ’Ecosse in Edinburgh will host
additional events (listed separately in their
brochures and leaflets).
Exhibitions with
a French twist include Jean-Marc Millière on show
at Glasgow Film Theatre,and Celebrity Chien
at the Institut in Edinburgh.
Festival director Richard Mowe and deputy
director Ilona Morison extend their gratitude to
all those involved – from sponsors,,supporters
funders,board members,and audiences to
venue and industry colleagues,and of course our
patron Sylvain Chomet.
Merci et bon festival!
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